The Dutch-Israeli author on a demonic club hit, her fish fixation, and her love
of furniture restoration videos
Born in Tel Aviv, Israel in 1987, Yael van der Wouden is a writer and teacher
who lectures in creative writing and comparative literature in the Netherlands.
Her work has appeared in publications including LitHub, Electric Literature and
Elle.com, and she has a David Attenborough-themed advice column, Dear David, in
the online literary journal Longleaf Review. Her essay on Dutch identity and
Jewishness, On (Not) Reading Anne Frank, received a notable mention in the 2018
Best American Essays collection. The Safekeep, published by Viking earlier this
year, is Van der Wouden’s debut novel and is shortlisted for the Booker prize.
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Tag - Art and design
As generative AI advances, it is easy to see it as yet another area where
machines are taking over – but humans remain at the centre of AI art, just in
ways we might not expect
When faced with a bit of downtime, many of my friends will turn to the same
party game. It’s based on the surrealist game Exquisite Corpse, and involves
translating brief written descriptions into rapidly made drawings and back
again. One group calls it Telephone Pictionary; another refers to it as
Writey-Drawey. The internet tells me it is also called Eat Poop You Cat, a
sequence of words surely inspired by one of the game’s results.
As recently as three years ago, it was rare to encounter text-to-image or
image-to-text mistranslations in daily life, which made the outrageous outcomes
of the game feel especially novel. But we have since entered a new era of
image-making. With the aid of AI image generators like Dall-E 3, Stable
Diffusion and Midjourney, and the generative features integrated into Adobe’s
Creative Cloud programs, you can now transform a sentence or phrase into a
highly detailed image in mere seconds. Images, likewise, can be nearly instantly
translated into descriptive text. Today, you can play Eat Poop You Cat alone in
your room, cavorting with the algorithms.
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For his explosion event in Los Angeles, Cai Guo-Qiang built his own version of
ChatGPT and employed a drone army to answer the question: what is the fate of
humanity and AI?
For decades, Cai Guo-Qiang has been the world’s foremost fine artist of
explosions. He is famous for his massive fireworks displays, from his glowing
footsteps in the sky at the opening of the 2008 Beijing Olympics, to his 2015
Sky Ladder, a 1,650-foot flaming ladder to heaven featured in a Netflix
documentary.
Recently, the gunpowder artist has become obsessed with a new threatening
technology: artificial intelligence.
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As debate rages around the ethics and legalities of artificial intelligence,
artists are exploring the technology’s possibilities – and its precarities
Cate Blanchett – beloved thespian, film star and refugee advocate – is standing
at a lectern, addressing the European Union parliament. “The future is now,” she
says, authoritatively. So far, so normal, until: “But where the fuck are the sex
robots?”
The footage is from a 2023 address that Blanchett actually gave – but the rest
has been made up.
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Facebook founder shares photo of sculpture of Priscilla Chan, rendered in green
with a large silver cloak
Mark Zuckerberg has raised eyebrows by commissioning a giant sculpture of his
wife, Priscilla Chan.
In a photo of the statue, posted to Instagram, the Facebook CEO and co-founder
said he was “bringing back the Roman tradition of making sculptures of your
wife”.
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The performance artist and ‘sex clown’ shares her list of (mostly) wholesome
clips: the cutest children, the best dog and the glitziest aerobics workout
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I am a person who believes in laughter. I work in live art. My main medium is
performance. In art-making I revere legacies of border-riders, defiant
sexualities, witches and rascals. I have been known as a sex clown and I am
proud to invoke laughter.
Some of the best laughing is out of absurdity. Laughter erupts and massages.
Purrs and murmurs. It erodes calcified, rational, top-down thinking. It appears
mysteriously, sometimes even when we think we should not laugh. My grandmother
Betty used to say to my brother and I: “You’re laughing now, you’ll be crying in
a minute!” We need our tears and hope; I wouldn’t be laughing so hard if it
wasn’t so deeply serious.
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A new exhibition showcases British hobbies, the Rotterdam Architectural Biennial
and a South Asian London city map
Both mending and hobby crafts get the respect they deserve in this month’s
design news. Check our stories to see where these fine activities get treated as
art. We also look at the history of Casio watches and a new future for the Apple
Watch. Sign up for the Design Review newsletter to receive more stories like
this about architecture, sustainability and craft each month.
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The New Zealand-born photographer was planning to take a portrait of a farm
owner when two animals caught his eye
For the last two years, Mark Aitken has been working on a photo series in
Lapland. “It’s called Presence of Absence,” he says, “and it explores the
liminal and sometimes uncanny boundaries between life and death experienced by
people living in this extreme climate and landscape.”
Aitken, who was born in New Zealand, raised in South Africa and has lived in
London for years, took this photo in spring of this year, on a sheep farm.
“Kukkola is a borderland hamlet in Finnish Lapland on the River Tornio, near
Sweden. The farm has been running for 20 years and this lamb is one of about 100
born in March and April,” he says.
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