Crișan Neighbourhood Resilience, Timisoara Ana Kun, 2023 These descriptions of forms of resilience resulted from many conversations with my mother-in-law and her neighbours, from the Crișan neighbourhood in Timișoara, and for which I am grateful. These forms of resilience have been practiced in the Crișan neighbourhood from the time of its establishment up until the present day. Against the backdrop of world wars, fiscal crisis, regime changes and living consistently within a patriarchal system, practices such as gardening on public and private land, animal husbandry, community crafts (for housing construction), domestic and everyday labor, with the occasional addition of working in one of the city's factories, show the ability of people to form a viable community, against the backdrop of world wars, bank debts, regime changes, and a continuous patriarchal system, in an ever changing place. In illustrating these stories, I will refer to three periods: keeping in mind that the transitions between them were gradual and that more general practices were not always found at the level of the neighborhood: colonisation (starting in 1918, in 2 waves), the Dej and Ceaușescu regimes (around 1947-1989) and present-day (post 1989 revolution). For the colony these transitions between these periods and the impact of the changes in political periods was felt very gradually. Geographical and Historical Positioning The Crișan colony, as it was originally called, was attached to Timișoara together and the Plopi neighbourhood, were incorporated into Timișoara after the Second World War (post 1945). Plopi was named in 1940, by the local sculptor Romulus Ladea. Back in 1930 the colony was called I.G. Duca (after the liberal prime minister assassinated by right wing extremists in 1933). Before that it was called the Kardos colony, and before that, in 1918, the land of these two colonies belonged to a count who sold it off as housing lots for settlers. Going back even further, the area was known as the town's rice field plantations. This was a failed agricultural experiment initiated by count Florimund de Mercy, a military and civil governor of the Banat of Timiș, after the Austrian occupation of the city in 1716. The Crișan neighbourhood is also known as New Ghiroda (not to be mixed with the nearby old commune of Ghiroda), and Plopi is attached to the Kuncz neighbourhood, know as Plopi-Kuncz. Crișan and Plopi-Kuncz are situated in the eastern part of Timișoara, each one on one side of the Bega river, with the water plant between them. Since the establishment of the colony it has been important for the residents to be self-managed, and for local community cooperation to play a central role, having the effect that the colony sometimes ignores and reversely is ignored by the city administration. In recent years people from other neighbourhoods have started to launch their leisure boats on the weekends, overcrowding the river nearby, and ruining the fishing and swimming for everybody. Before this, many people learnt to swim in the river at their own leisure. My mother-in-law remembers how in the early 1960s older women would swim in their dresses, with tin drums strapped on their backs to stay afloat. On the Levee The Bega river’s water level is the same level as the neighbourhood is, so after several floods of the cob houses, the banks were raised with two steps of sand; the small levee and the large levee (dâlmă). The large levee soon became and still is a kind of promenade. The two levees are looked after by the levee master (dâlmaș) who checks the condition of the land and vegetation, and intervenes when needed. To prevent flooding in the neighbourhood, each street also has a partially open sewer system, with one person in charge on each street. On the small levee next to the river, local inhabitants who live on or close to the levee, have set up gardens, fishing spots, pontoons and bathing spots. Some areas are fenced off, others not, such as the bathing areas, but all are maintained by neighbours (the land belongs to the state, however, there are no contracts and no rents are charged). On one of these gardens I found a sign on which was printed that we should use, maintain and preserve the Crișan biosphere. These refuges, some cultivated some not, appeared after 1989. Before the revolution it was part of the levee master’s duties of the levee master, to eradicate any use of these areas, and ensure they were not used. In almost every neighbourhood before 1989, community gardens on public land were a common practice before 1989 in almost every neighborhood, the most famous being in the Antenna Area (where my grandparents used to have a garden), which is now occupied by a shopping mall. However, in Crișan and Plopi, there were no community gardens, only private ones near housing or on specifically purchased plots, and hence the practice of gardening was extended informally onto factories premises, terraces and flat roofs, where vegetables were mainly grown; tomatoes and peppers in raised beds for example. In many of the green spaces in the factories' yards, the employees planted and harvested fruit trees. Today various crops are grown on the levee, from tomatoes to corn, in combination with fruit trees and raspberry bushes, either for immediate consumption or conservation, but also for exchange between neighbours. Whilst talking to my mother-in-law’s former neighbours who moved out of the area 25 years ago, we were invited to adopt a piece of the land for gardening. Apparently the best tomatoes grow on the levee, thanks to fish waste. Not all the land is cultivated and fenced off and there are also many spaces on the banks that are open to everyone, furnished with chairs, benches, sofas and shade, where birds, dogs, frogs, snakes, insects and people take refuge. Annexes or new houses are now being built on the sites of the old gardens between the houses, and the cultivated space in the neighbourhood is getting smaller by the day. Being able to walk on the river banks during the pandemic was a great consolation for all who were fortunate to have local access to them. Income, Food and Work Before 1989, most of the inhabitants of Crișan and Plopi worked in one of the many factories in the surrounding area. The reason for the two colonies creation was to house the labor force for the factories, ensuring a stable local and available labour force. In their private gardens, before 1989, the women of Crișan, especially those who did not have a formal job in the factory, who raised children, cared for the elderly and did the domestic work, used to grow everything for their households, trying to be as autonomous and self-sufficient as possible. The surplus was exchanged or sold informally in the neighbourhood. Families were not completely self-sufficient and had several sources of supply (garden, neighbours, market). The gardens were partially cultivated with fruit trees bought from the surplus of the Republican Station of Young Miciurinists established in 1956 (Miciurin for short, after the name of the Russian biologist who created several hybrid species), and which is now known as the Station of Young Naturalists. My mother-in-law remembers the pineapple-apricot and greengage plum very fondly. Every year families who had vineyards contributed grapes towards the Grape Ball at the Cultural House. Each family donated sandwiches and cakes, which were sold to raise money to pay the musicians. Crișan does not have a patron saint’s day (rugă), so the Grape Ball was a version of an annual neighbourhood fair, held for many decades until a few years ago when it degenerated into drunkenness and violence, and now has been cancelled. Up until the 1980s some women raised pigs and poultry for consumption for their families, and would sell livestock products to the neighbourhood too. Erszi tanti, my mother-in-law's mother, also raised geese for feathers and down. Another woman sold cow's milk to her neighbours, on a type of pre-order subscription basis. Rozsi tanti crocheted miles of wool and knitted flannels, other women cut patterns and sewed clothes, and many other items for their neighbours. Rudi baci had a private taxi service with a feacher, a kind of carriage with one horse. On the side he raised what was called “meat rabbits”, for his own consumption. My mother-in-law's father was a photographer for the surrounding villages, before he was employed by the County Hospital, so part of the family garden was occupied by his photo laboratory. Gosza baci fished on the Bega river for his own consumption and to sell to the neighbourhood. Other people worked as day labourers, doing field work, digging, carrying sand for the levees, washing bottles at the brewery, or occasionally as musicians. Nobody relied on just one source of income, or one source of food, and everybody tried as hard as possible (especially the women) to use their skills to ensure some sort of stability. During the 1980s, exchanges between employees of different factories proliferated, the most popular being Comtim, which specialised in the sale of pork. New recipes with fewer fresh ingredients and more substitutes became popular, and as the gardens grew smaller, fewer people raised animals for meat consumption. Since its invention in 1959, the Croatian Vegeta, a flavour enhancer consisting of dehydrated vegetables, spices, and salt, was used primarily as a substitute for poultry, and has become one of the staple ingredients in the regional diet. A very popular Sunday soup with poultry and fine pasta, now has a vegan spinoff using Croatian Vegeta. One kilo packets of Vegeta were recently found together with turbo chewing-gum and bluejeans in metal boxes, in various markets in Timișoara, sold by Serbian citizens. These days the majority of people are employed in the new factories on the Buziaș platform, with a few of them employed by the private ecological gardens of a rich family in Timișoara, which is built on the site of fish ponds of a former cannery. House and Garden Plots (plațuri) In the interwar period, the entire Crișan-Plopi area was parcelled off and sold off for the construction of houses for the inhabitants of the nearby villages. Land was purchased with bank loans, and they built cob houses, with the help of neighbours. After the Second World War, the first brick houses appeared, which were also built by the collective efforts of neighbours. None of these properties in Crișan were nationalised after 1948, unlike other neighbourhoods in Timișoara. The bricks used to build the first houses were not only from the factory in Kuncz (which closed in 1945), but also from a group of Romani brick makers, who formed and fired them in a kiln on the large levee, built at the entrance to the neighbourhood. They used the clay removed from the Bega after it was dredged. Neither the kiln nor this practice exists in the neighbourhood today. The Old Cemetery With the formation of the area, a lot of land was donated to the community for a cemetery. The old cemetery does not belong to any church or sect, and is maintained by the locals who have family members buried there, free of any charges. After 1989, an Orthodox church was built with an adjacent cemetery; this cemetery is taxed by the church. The old cemetery is also a place to socialise; during the period of preparation for the Day of the Dead, on November the second, families come to do maintenance work and socialise together. The walnut and mulberry trees at the entrance are leftovers from the time of the rice plantations, and are harvested by the neighbours. I still pick purslane for salad from the old graves, and I hope that my partner and I can be buried here, when the time comes. The Bridges between Neighbourhoods Before 1989, there was a dispensary and a school in Plopi, along with a coal depot. Residents crossed the Bega river every day, but there wasn’t always a bridge. Until the 1950s, upstream from the exclusion zone of the water plant, there was a braided wire-rope and a floating raft/platform, called a komp (similar to a small ferry), which was pulled by a crank by Dinu baci; after his death his wife, Dinu neni, would work the ferry. It would cost 15 ban for a trip. It was a private initiative, which was taxed by the state, and which was discontinued after the death of Mrs. Dinu. When the Bega froze during the winter, the komp was pulled out and people could cross over with sleds, holding onto the braided wire-rope. There was also a komp operating similarly to this, in the south of Timisoara, in the Iosefin neighbourhood. During the 1960s, the first wooden bridge was built, which after rotting away was replaced by a metal bridge made by UMT (Mechanical Plants Timișoara), and which was altered in the 1980s, to raise up in the middle. This is the same bridge that connects the two neighbourhoods today, maintained by Aquatim, the regional water and sewage operator, although there is less need to use it to cross over these days. In recent years, the gardens have expanded significantly on the river banks, probably in part because of the new houses constructed on the former gardens, but also because of the revival of grow-your-own food initiatives. In another neighbourhood in the west of Timișoara (Ronaț), a private plot of land (which was historically used for gardening) was transformed by the owners into a community garden with free open access to neighbours. Pandemic gardening has also led to a proliferation of gardens in and around apartments, balconies, on the tops of blocks of flats, parking lots, or in my case in the bedroom, where I've secured a pretty nice crop of basil and mint to eat, share and write about. Research, text and illustrations by artist Ana Kun A text commissioned by tranzit.ro, as part of a mapping of resilient practices in Romania and Eastern Europe, in the frame of C4R project.

An exhibition organised in the frame of the project C4R (Cultures for Resilience), by tranzit.ro, in collaboration with Atelier d'Architecture Autogérée (FR), Casco Art Institute (NL), Nethood (CH), in partnership with Minitremu Association (RO) and supported by the Creative Europe Program of the European Commission. 2 – 15 July 2023 Riverside Pavilion / Children’s Park Ion Creangă, Timișoara A research exhibition comprising documentation produced in the C4R activities, as well as artworks and documents related to a localised understanding of resilience. The first edition of the exhibition took place in July 2022 in Bucharest, moving to Sofia in September 2022 in an adapted version and with some works presented in premiere. The third edition in Timișoara shows a selection of works from the previous two editions, alongside new contributions that respond to the context of the project and to Minitremu Art Camp 8 intended for high-school students. The new iteration of the exhibition expands the different understandings of the concept of resilience – both related to nature’s regenerative (im)possibilities amidst the climate challenges of the current times, and to the different forms of organization in the rural and urban areas based on an ecological, sustainable and communitarian thinking and acting. Apart from the existing research related to mapping several ecologial farms in Romania, the video presentation of 20 more artistic initiatives in nature and the rural, the presentation in Timisoara includes new initiatives and artistic work from the region closer to Banat: Healthy Places, a co-design model for green and social regeneration of community spaces in Timisoara run by Studio Peisaj; a work by Nita Mocanu documenting the results of the spruce bark beetle invasion caused by draughts and destroying the forests in the Apuseni; or Andreea Medar & Mălina Ionescu’s long research into the accidental water leak in Racoti village which has created in time a mini-delta, being the main source of water supply for the local inhabitants. The exhibition is designed as an informative and learning space activated by the artists invited in the Minitremu Art Camp 8. Participants: * atelier d’architecture autogérée, r-urban, CASCO, nethood, Remix the commons, tranzit.ro; * Gilles Clément, Georgiana Strat; * Alex Axinte, Bogdan Iancu, Monica Stroe, Alexandru Vârtej; * GreenMogo, Legumim/ Gastronaut, Luca’s Farm, Nettle Garden, Țopa Farm, Soil and Soul, Seed Bank “Casa Semintelor”; * Delia Popa, Vlad Brăteanu, Eduard Constantin, Oto Hudec, Anamaria Pravicencu, Andreea Medar & Mălina Ionescu, Nita Mocanu, Roberta Curcă, Studio Peisaj, TerraPia; * Ovidiu Țichindeleanu; * Carambach (Adriana Chiruță), Cecălaca/Csekelaka Cultural Studio (Oana Fărcaș), Crețești Studio-Garden (Delia Popa), Cucuieti Permaculture (Otilia & Radu Boeru), The Dendrological Park Romanii de Jos (V. Leac), Drenart (Stoyan Dechev, Olivia Mihălțianu), The Experimental Station for Research on Art and Life (Dana Andrei, Edi Constantin, Valentin Florian Niculae), The House of Light and Information (Matei Bejenaru), Intersecția Residency (Emanuela Ascari), Jan Hála House (Zuzana Janečková), LATERAL AIR (Cristina Curcan, Lucian Indrei), Muze. Gemüse Initiative (Maria Balabaș & Vlad Mihăescu), The Rajka Orchard (Martin Piaček), Rădești House (Irina Botea Bucan & Jon Dean), Reforesting project (Vasilis Ntouros, Dora Zoumpa), Siliștea Future Studios (Adelina Ivan, Ioana Gheorghiu, Virginia Toma, Ramon Sadîc, Robert Blaj, Vlad Brăteanu), Slon Residency (META Cultural Foundation, Raluca Doroftei), Solar Gallery (Ariana Hodorcă & Albert Kaan), Watermelon Residency (Daniela Pălimariu, Alexandru Niculescu), Na záhradke Gallery (Oto Hudec), Khata-Maysternya/House-Workshop (Bogdan Velgan, Taras Grytsiuk, Olga Dyatel, Ekaterina and Olga Zarko, Alyona Karavai, Yulia Kniupa, Taras Kovalchuk, Magda Lapshyn, Anna Mygal, Sasha Moskovchuk, Svyat Popov, Tanya Sklyar, Natalia Trambovetska, Vilya and Ivanka Chupak); symbiopoiesis (Andrei Nacu). * Raluca Voinea. Curator for Timișoara edition: Adelina Luft In the framework of the C4R project, tranzit.ro has looked at practices that redefine the relationship with the countryside, with land and soil, with nature, with food and natural resources, with the rural communities and with people in the big cities who are looking for sustainable alternatives to their life styles. All the partners in this project have used a variety of tools: anthropological and cultural mapping, conferences, discussions and seminars as well as digital platforms, in order to highlight different forms of resilience in our societies, in the East, West and North of Europe, touching on issues from the circuit of organic food, to sustainable building materials, forms of commons and of governance, communities structured around ecological thinking and action, and not least artistic initiatives that seek for linking with nature and the countryside. Some of these different understandings of the concept of resilience will be reflected in the exhibition Now the impulse is to live! As part of a project that is still in progress, the exhibition offers a format for continuous reflection on the topics researched. Riverside Pavilion, situated in Ion Creangă Children’s Park in Timișoara was created following the idea to continue the public space into the building, without having any steps or obstacles, so that interior and exterior merge together. Minitremu Art Camp is a yearly summer camp intended for theoretical, real or vocational high school students and students in their first years of college. The project is supported by the EC's Creative Europe - Culture programme. ERSTE Foundation is the main partner of tranzit. The event is part of "Outside the school" a component of the Knowledge fields (along with Kinema Ikon, Asociatia Foc si Pară / Indecis and Association Doar Maine) part of the national cultural programme "Timișoara – European Capital of Culture in the year 2023" and is funded by the City of Timișoara, through the Center for Projects. Exhibition title and cover image from a material on Luca’s Farm, by Alex Axinte.