A fascinating fortnightly show explores the darker side of the scare industry.
Plus: five of the creepiest podcasts
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Happy season of pumpkin-based food waste! Or, if you prefer, Halloween. Like all
humans since the dawn of time, the extra hours of darkness that autumn brings
will no doubt have many ask: “Where are the creepy podcasts at?”
You’re in luck. We’ve got a run-down of the finest spooky listens, from horror
podcasts to paranormal shows crowdsourcing blood-curdling experiences for a
seasonal special. There’s a look at a new series that plunges into a suburban
Halloween experience, which went from fun haunted house to such a traumatic
experience we had to write a whole feature on it. Plus, they’re joined by an
advice show hosted by two terrifyingly evil types: Harry Clark and Paul Gordon
from The Traitors. Be warned: follow their tips at your peril.
Alexi Duggins
Deputy TV editor
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Tag - Podcasting
The comedian bridges the gap between truth and fiction in Up in Smoke. Plus:
five of the best podcasts with shocking twists
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Have you been glued to Wondery’s latest true crime pod, Kill List?
Tech journalist Carl Miller discovered a list of names on the dark web, which he
learned was a murder-for-hire site. It turned out to be a money-making scam, but
the people who paid up were deadly serious about getting rid of their targets –
“Tell me the execution time in advance – I can’t be there,” was just one
instruction found. In the podcast, Miller tracks down people on the hitlist and
tries to get the authorities to take the risks to their lives seriously.
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The TV icon turned midlife expert hears from gutsy guests on their radical life
changes in Begin Again. Plus: five of the best comfort listen podcasts
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Only one show usually comes to mind when you think Adam Buxton plus podcast –
and all you need to do is add a the to get its title. But one of the format’s
big beasts is about to branch out …
Well, sort of. Buxton’s upcoming drama Up in Smoke is done in the style of a
true crime show but is actually a work of fiction, in which he plays a detective
on the trail of a missing person. Its “host” is actor Mei Mac (currently
starring in the glorious Royal Shakespeare Company’s production of My Neighbour
Totoro), who is supposedly presenting an audio investigation of the mysterious
incident. It feels like an exercise in genre and reality blurring that could
either be spectacularly effective or … a bit odd. Which will it be? By this time
next week, all should be revealed.
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Two journalists leaf through vintage magazines and reflect on their legacy in
Mag Hags. Plus: five of the best US election podcasts
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Podcast creators beware. This week Google released NotebookLM, an experimental
tool to help with note-taking, which can create an audio “deep dive
conversation” about any document you care to upload. Read: an AI-generated
podcast.
The results, frankly, are astounding. There are two hosts whose US-accented
voices are almost impeccably believable as humans, and whose banter, digressions
and personal interjections – as well as a tendency to pull in separate pieces of
research to help explain your document – are almost indistinguishable from the
work of humans. Assuming, that is, we’re talking about quite competent humans.
Feeding in a recent Hear Here intro about the longevity of podcasts compared
with that of TV had NotebookLM riffing about Off Menu due to its mention in the
article (“I’ve literally listened to episodes of Off Menu in public and laughed
out loud – like, full-on belly laughed!”). It also introduced some astute
observations not included in the piece itself (“It’s interesting, isn’t it? I
think that maybe traditional listener fatigue doesn’t apply in the same way,
because podcast audiences are largely self-selecting – like, we choose what we
listen to. We’re invested from the start”). I was less chuffed with the podcast
it churned out in response to taking a look at a report about the damp in my
home (“That sounds like something out of a horror movie!”).
It may not be perfect, but it’s scary how impressive the results are. How long
until a fully AI-generated show takes off? And how easy would it be to send
somebody one of these audio files and convince them it was a legitimate
human-created podcast?
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A serial killer strikes the seaside town in The Margate Murders. Plus: five of
the best Guardian audio long reads
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This autumn marks 10 years since we launched the Guardian long read. Looking
back now, it is hard to remember how counterintuitive the idea seemed at the
time – this was a moment when more and more people were wondering whether
readers still had the appetite for anything longer than a few hundred words, or
even 140 characters. Creating a dedicated space within the Guardian for multiple
pieces of 5,000 (or more) words a week – many of which would take months, even
years, to produce – seemed like a quixotic project. Thankfully, our readers felt
otherwise, embracing our deeply researched stories about everything from the
“cruel, paranoid, failing” Home Office and the battle against Islamic State to
the strange world of competitive ploughing and the rise of hygge.
Just a few months after the long read launched, our audio team had the brilliant
idea of launching the audio long read podcast. The idea was simple: get a great
voice actor to read the articles aloud. That was it. It turned out that
listeners loved it. (A few years ago, I briefly met Ed Miliband, who told me he
liked to listen to the podcast when swimming lengths in the pool.)
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Slow Burn returns for a new season, examining the phoenix-like rise of the
American media giant. Plus: five of the best reality TV podcasts
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There’s a consensus for how many seasons to give a hit TV show before calling it
quits. Two is probably the optimal number for a comedy – think The Office,
Fleabag, Fawlty Towers etc. For dramas, you’re probably pushing it beyond five
(Breaking Bad) or six (The Sopranos). There are notable long-running exceptions
– It’s Always Sunny in Philadelphia, Curb Your Enthusiasm etc – but as a rule,
they tend to drop off a cliff.
For podcasts, the template is yet to be established. Given how easy it is to
make a great show with the right people and the right format, it’s hard to see
an end in sight for uber-popular shows in a way that similar TV entertainment
franchises can’t manage (Bake Off jumped the shark around the time it left the
BBC in 2016, and even Taskmaster began to wane after Mike Wozniak gave himself
piles seven seasons ago). The Guardian’s own Comfort Eating With Grace Dent just
returned for its eighth season (episode one is with Rag’n’Bone Man), while Off
Menu – whose success is now so all-pervasive that a new recycling podcast we
review this week features a segment where they riff on its classic “Poppadoms or
bread?” catchphrase – is on to its 11th. Louis Theroux has just launched his
third season on Spotify, after two on the BBC, kicking off with a typically
candid episode with former adult actor Mia Khalifa. Shagged Married Avoid seems
to have done away with seasons entirely and just be on an endless march to the
climax of time itself.
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The Oscar-winning actress goes back to her roots in Mind Your Own. Plus: five of
the best comic book podcasts
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All journalists know that what they produce matters, but sometimes it can be
easy to forget just how much.
The man who fell to earth, an excellent episode of the Guardian’s Today in
Focuspodcast, tells the story of how Esther Addley reported on an airplane
stowaway whose dead body was found in a west London car park – only to be
contacted by the deceased’s brother 23 years later. The reason: his family had
kept her article as a family treasure for decades, prompting him to learn enough
English to be able to read the account of his much older sibling’s life – then
travel to the UK on his trail. “It is genuinely one of the most powerful and
emotional things anyone has ever said to me about my work,” says Addley. “It
brings home the responsibility of every story we do.”
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Radio host Carmel Holt explores the singer’s cross-generational impact in The
Road to Joni. Plus: five of the best podcasts about the future
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We love a totally unhinged investigative pod at Hear Here. Who Shat on the Floor
at My Wedding? is an all-time great (yes, I’m going to commit the cardinal
newsletter sin of linking to my own interview with the creators here); the duo
behind that hit have since made another deeply peculiar show, The Case of the
Tiny Suit/Case, solidifying their rep as some of the most serious detectives of
the least serious crimes ever committed.
Also ploughing a similar furrow is Joanne McNally. Early this year, she was
trying to find out whether Canada’s first lady of pop-punk Avril Lavigne had
actually been replaced, as per internet conspiracy theories, and now she’s
asking whether Furbys – those menacing talking toys that were all the rage in
the 90s – were actually spying on us. As someone who was absolutely terrified of
all interactions with my incredibly needy Furby I will be listening to every
second. That’s below, along with the rest of the picks of the week, which
include a new show I’m really excited to listen to from S-Town’s Brian Reed.
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Transmissions, which plots the story of Joy Division and New Order, returns for
a second run. Plus: five of the best sci-fi podcasts
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In case you missed it, Serial’s Sarah Koenig was recently interviewed by Fiona
Sturges for the Guardian, on 10 years of Serial. It was an intriguing interview
about how web sleuths had changed Koenig’s own view of the Adnan Syed case that
made her podcast such a huge hit back in 2014. But one section struck me as
pretty surprising, if not totally shocking. Good friends and family, Koenig said
– “like, even my siblings” – had asked her whether its fourth series, on
Guantánamo Bay, had been released yet (it came out in March). “We can speculate
about the topic and the quality of it, but I think it’s also just the [pod]
universe is completely different,” she added. “There are so many choices. We are
in a sea of podcasts.”
Serial season four isn’t a whodunnit – Serial hasn’t really done that since its
inception, and that first series that hinged on whether Syed had killed his
high-school sweetheart Hae Min Lee. Successive outings have also leaned less on
the serialisation you might assume from the title, with the Guantánamo series
focusing instead on somewhat interlinked stories of life at the notorious US
prison camp, rather than one overarching, unfurling narrative. In many ways,
it’s kind of become a podcast Ship of Theseus, its elements slowly changing with
each season. Still, it’s slightly sad to think that some people may have
abandoned it just because it isn’t that same show it was at that very specific
moment in time, pre-true crime boom, rather than something that has changed and
evolved over a decade. Plus, the Guantánamo series is pretty solid (although,
beware – episode eight in particular comes with some deeply upsetting details of
sexual assault).
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The movie megastars contribute to Rebecca Keegan’s irresistible show, A Film We
Can’t Refuse. Plus: five of the best outdoors podcasts
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Far be it for me to define a man by his romantic relationships, but if you’ve
heard of Travis Kelce, you may know him more as Taylor Swift’s boyfriend than
because he’s an NFL star.
He is, however, also a podcaster, and not just any podcaster – he’s just landed
a reported $100m deal with the Amazon-owned Wondery for New Heights, the show he
hosts with his brother Jason (a former NFL star), which has become one of the
most popular sports podcasts in the world since it launched in 2022. It’s a lot
of cash, especially for two already-wealthy men at a time when every month seems
to bring a headline about some podcast studio or another shedding staff and
slashing budgets. At the same time, it could prove to be a shrewd investment,
with Kelce and Swift rarely out of the headlines. It does have the mad effect of
making Joe Rogan’s estimated $250m deal with Spotify – the biggest of its kind –
seem a little low by comparison, though, or even Call Her Daddy’s $100m contract
with SiriusXM.
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